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“Do you know that piece of music called ‘The Rose of Larst Summer’?” inquired the musical connoisseur. WELL, what do you want to play?” Billy asked, after the hubbub had a little subsided. As Clarence depicted the terror of the father, lest his arrow miss the mark and kill his son, Moses rose from his chair in breathless suspense. However, the arrow cleft the apple and left the boy unscathed, and the relieved Moses, sinking back in his chair, recovered himself sufficiently to murmur “What an orful chanct fer anyone ter take!”.
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Conrad
“Oh, chuck the business,” Jean said impatiently. “Can’t it wait till noon? I must go home then.” The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores. When Moses reached the barn he found Mr. Wopp just drawing up his team of heavy-work horses beside a small corral where the hay was to be deposited. On the load beside Mr. Wopp. Moses’ wondering eyes beheld Jethro—Jethro whose greatest joy was to run beside any vehicle and range the country as far as he could on both sides of the trail. “She’d like fust-rate to come, but Glory be! She’d want ter fetch her pet turkey and Jethro.”.
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